Akropolis Reed Quintet_2025-26_Biographies.pdf

Winner of the 2015 Fischoff Educator Award, Akropolis has engaged more than 50,000 youth during its 16-year history, including an annual, yearlong residency at three high schools in their home Detroit community. As an independent nonprofit they have received grants from the Michigan Council for Arts and Cultural Affairs, Community Foundation for Southeast Michigan, and many individuals nationwide to support their educational programming, which comprises a noteworthy portion of their activity. At the elementary school level, Akropolis gives fast-paced, interactive concerts that include introductions to each performer and their instruments, plus a Q&amp;A. Certain musical selections include interactions and collaboration with students, who identify elements of the composition or share their observations. At the middle and high school level, Akropolis most enjoys performing for and interacting with students of all musical and artistic disciplines. They prefer engagement directly in the classroom if possible.&nbsp;“I am in awe of your genius in this educational arena and excited for all the young lives that you will impact and change because you are first and foremost extraordinary artists who are bringing that excellence and meticulous preparation and execution to the educational arena.”-Kathy Soroka, Allegheny RiverStone Center for Arts Education

K-12 Education

Akropolis believes that "quality" in classical music comes not only from the technical competency of the performers, but of the relevance an artist creates within their community. To do this, Akropolis engages their communities nationwide through experiences informed by the communities they serve. This includes collaborating with community members on new musical works, including&nbsp;so much more, featuring interviews with local business owners, and&nbsp;Sprocket, featuring a rideable percussion bike created by scrap metal artist, Juan Martinez. They commissioned new work from Detroit poet Marsha Music, and in their travels have performed with guest percussionists in several communities.&nbsp;Akropolis has performed at dozens of workplaces during its Detroit Workplace Concert Series, including hospitals, factories, tech companies, and more. They have performed in juvenile&nbsp;detention centers, homeless shelters, development centers, and senior care centers. They have given dozens of outdoor performances at parks and other pop-up locations, including grocery stores and farmers markets. They have given house concerts, backyard concerts, and concerts on river walks and bike paths.&nbsp; &nbsp;Each concert is custom-designed with community input and shaped to reflect the vibrancy of the community.&nbsp;

Community Engagement

A major part of Akropolis' mission is to facilitate the creation of new, vibrant careers in music. Akropolis hosts the Akropolis Chamber Music Institute (ACMI) each summer during which they directly collaborate with early-career instrumentalists and composers to create and record new works. Akropolis has given masterclasses, recitals, career development workshops, and readings of new works at over 50 universities. They have performed alongside collegiate students at certain residencies and offer two concertos for reed quintet and band: "Storm Warning" by Roshanne Etezady and "Un Momento Dado" by Johan De Meij. They especially enjoy conversations about career development, which they facilitate holistically, inviting students to consider the intersections of their personal lives, their careers, and their dreams.&nbsp;Akropolis' university offerings includes:<ul><li>Recitals</li><li>Master classes</li><li>Career development conversations/Q&amp;A's</li><li>Readings of student-composed works</li><li>1:1 mentoring/coaching</li><li>Concerto/other collaborative performances</li><li>Other offerings in collaboration with faculty and students</li></ul>

Career Development Workshops (University)

Akropolis Reed Quintet—Photos for Public Download.zip

Akropolis Reed Quintet

In celebration of the 250th anniversary of America’s Declaration of Independence, this program melds together stories and perspectives from diverse viewpoints within the complex and dynamic fabric of American culture and history. Each American composer was commissioned by Akropolis and asked to express a unique component of their American experience. Works by Annika Socolofsky and Stephanie Ann Boyd were commissioned in partnership with the National Endowment for the Arts and tell stories of Detroit and the Great Lakes region from a community building and ecological perspective. Homage to Paradise Valley honors Detroit’s razed African American neighborhoods and brings attention to this complex and difficult history. Jennifer Higdon’s first reed quintet celebrates and helps cement the living legend’s legacy of important contributions to American music.&nbsp;

America250

This program offers 4 masterworks of the reed quintet musical canon forged by Akropolis’ 200+ commissions and premieres over its 16-year history, highlighted by a 2026-27 season world premiere of the first reed quintet by Pulitzer Prize and 3-time Grammy Award-winning composer, Jennifer Higdon. Works by Derrick Skye and Jeff Scott were created with support of the coveted Chamber Music America Classical Commissioning Program. As Akropolis serves as the voice of each composer’s unique sound and personality, the various influences of this program’s music include jazz, gospel, Afro-Persian, Balkan, and more.&nbsp; &nbsp;

Masterworks

Continuing their multi-year exploration into the influence of jazz on modern American music, the Detroit-based Akropolis Reed Quintet celebrates the inseparable link between the jazz and classical idioms. On the first set, Ravel’s Le Tombeau de Couperin, a composition among many of Ravel’s which were known to have influenced jazz musicians for many years to follow, is paired with Omar Thomas’ Moods and Attitudes, commissioned by Akropolis nearly 100 years later and influenced by nearly a century’s worth of jazz styles, including shuffle, ballad, gospel, and bebop. The second set opens with Augusta Read Thomas’ music – “always in motion” (Huffington Post) – spinning seemingly improvised jazz counterpoints into her Bebop Riddle IV, composed for Akropolis in 2023. Akropolis closes with Jeff Scott’s Homage to Paradise Valley (2019), commissioned by Akropolis with support of the prestigious Chamber Music America Classical Commissioning program, celebrating Detroit’s African American musical and cultural history and commemorating the Black Bottom and Paradise Valley neighborhoods. &nbsp;

Bebop Won’t Stop

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GRAMMY® Award-winning, Are We Dreaming the Same Dream?&nbsp; is a “tour-de-force” (I Care If You Listen) of a concert experience that blurs the lines between classical, jazz, and contemporary music, examining what Ralph Ellison calls “the unity of American experience.” With a hybrid ensemble comprised of Akropolis Reed Quintet, pianist/composer Pascal Le Boeuf, and drummer Christian Euman, Le Boeuf deconstructs the fabric of his American experience by recognizing the strands of his musical DNA—Geri Allen, Dave Brubeck, Charles Mingus, and Leonard Bernstein. What are the strands that form our collective identity, and are we dreaming the same dream?Akropolis became the first ever GRAMMY® winning reed quintet with their 2024 album, Are We Dreaming the Same Dream?, in collaboration with Pascal Le Boeuf and drummer Christian Euman, taking home Best Instrumental Composition for the track "Strands" at the 67th Grammy Awards held in February, 2025.&nbsp;&nbsp;<h3>"Brilliant writing, exquisitely performed, and ingenuously conceived! Are We Dreaming The Same Dream? is a musical journey that shares a sound world that reveals the deep layers of life experience, and done so in the hands of some real masters of their instruments."&nbsp;</h3>~ Jennifer Higdon, Pulitzer Prize &amp; Grammy Award-Winning Composer&nbsp;<h3>Concert Repertoire</h3>Pascal Le Boeuf – Are We Dreaming the Same Dream? (full septet) 50′Pascal Le Boeuf – Variations on a Mood (Pascal &amp; Christian) 8'George Gershwin arr. Raaf Hekkema – An American in Paris (Akropolis) 18′Geri Allen arr. Le Boeuf – “RTG” (full septet) 5′Charles Mingus arr. Le Boeuf – “Self-Portrait in Three Colors” (full septet) 7′&nbsp;<h3>Watch GRAMMY® winning single, Strands: <a href="https://www.youtube.com/watch?v=mt9IBnRuLGk" target="_blank" rel="noopener noreferrer">https://www.youtube.com/watch?v=mt9IBnRuLGk</a></h3>&nbsp;<figure class="image image-style-align-center image_resized" style="width:75%;"><a href="https://akropolisquintet.org/are-we-dreaming-the-same-dream/" target="_blank" rel="noopener noreferrer"><img src="https://d2k153re4i383a.cloudfront.net/2024_BST_Akropolis_Dream_1500x1500_cover_1_96a806d2cd.jpg"></a></figure><h3>&nbsp;</h3><h3>About Are We Dreaming The Same Dream?</h3>“America is woven of many strands; I would recognize them and let it so remain.” Ralph Ellison, from Invisible Man (1952)“If one were to examine [...] the DNA of one’s influences [...] in terms of how the various strands interact to create the artist, one would see how important conflict between strands is.” Bill T. Jones, from Story/Time (2014)"Are We Dreaming the Same Dream?" is an examination of what Ralph Ellison calls “the unity of American experience” and draws upon a selection of my musical “ancestors” — Geri Allen, Dave Brubeck, Charles Mingus, and Leonard Bernstein — each of whom have historically represented a variety of perspectives concerning the unity of American experience. Following this chain of artistic ancestry leads to Duke Ellington, Mary Lou Williams, Aaron Copland, and beyond.This project was prompted by a quote from choreographer Bill T. Jones. When I first worked with Bill in 2014, I was taken by his fearless approach to creating socially engaged art, and the myriad ways in which he married improvised and planned material throughout the collaborative process. That same year, he published Story/Time (Princeton University Press) which examines his artistic relationship to John Cage, whom he both admires and questions.“If one were to examine [...] the DNA of one’s influences [...] in terms of how the various strands interact to create the artist, one would see how important conflict between strands is. I don’t think any artist can come to who they are without experiencing this conflict. [...] In some cases, one has to accept an uncomfortable fit in order to become the artist one truly is.”On a personal level, this music represents my struggle to understand, as Bill puts it, the artist who I truly am, the context in which I exist, and the strands of influence that form my identity. But this work also begs the audience to consider the unity or disunity of their American experience and to examine the strands that contribute to our collective identity, for as Ellison once pointed out, “the most agonizing mystery sponsored by the democratic ideal is that of our unity- in-diversity, our oneness in manyness. American culture is of a whole, for that which is essentially ‘American’ in [that] it springs from the synthesis of our diverse elements of cultural style.”~Program note by Pascal Le Boeuf<h3>&nbsp;</h3><h3>Biographies</h3>Each artist on stage is a powerhouse in their field. Founded in 2009, the Billboard charting, 7-time national prize winning Akropolis Reed Quintet makes music with “infallible musicality and huge vitality” (Fanfare Magazine). Winner of 7 national chamber music prizes including the 2014 Fischoff Gold Medal, Akropolis has premiered and commissioned over 150 works by living artists and composers. Pascal Le Boeuf is a Grammy-nominated composer, pianist, and producer described as "sleek, new" and "hyper-fluent" by the New York Times. He is widely recognized for his polyrhythmic approach to chamber music and hybridization of disparate idioms. Christian Euman, one of Revive Magazine's "six drummers you should know about," has toured with Jacob Collier, Kurt Elling, Billy Childs, Walter Smith III, and Geoff Keezer, among others. He attended the Thelonious Monk Institute where he studied and performed with Herbie Hancock, Wayne Shorter, Chris Potter, Jimmy Heath, and Stefon Harris.&nbsp;<figure class="image image_resized" style="width:75%;"><img src="https://d2k153re4i383a.cloudfront.net/AF_690_AE_8_0_DAB_4989_812_D_1_E749_DDC_9_E60_c64e726d7f.jpeg"></figure>

Akropolis Reed Quintet | Pascal Le Boeuf | Christian Euman

Are We Dreaming the Same Dream?

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Arcis Saxophone Quartet_2025-26_Biographies.pdf

Discover the Magic of Music The children will be introduced to our music, exploring the sounds of the saxophone in a way that sparks their curiosity.Meet Adolphe Sax We share the fascinating (and fun!) story of Adolphe Sax, the inventor of the saxophone, and how his creativity shaped the world of music.Hands-On Saxophone Experience In this interactive segment, the children get a chance to see how the saxophone works—and even try playing a few notes themselves!Make Music Together The grand finale is all about participation! The children join us in making music, whether by conducting or with some body percussion, creating an experience they’ll never forget. &nbsp;Arcis tailors the content on the spot, adjusting to the age group, space, and energy of the kids. This program is possible for children aged 6 to even up to 16-18, with a sweet spot for those between 10 and 14. 60 min session is optimal.&nbsp;

Educational Performance (K-12)

Arcis Saxophone Quartet—Photos for Public Download.zip

Arcis Saxophone Quartet

Get dressed up and head to the nightlife! Quirky Nightclub Chronicles brings the vibe of the most popular nightclubs into the concert hall - hot rhythms, fresh sounds and captivating stories that stay in your memory. As always with the unique Arcis twist: creative arrangements, powerful interpretations and a touch of eccentricity that not only allows you to hear classical music, but also to feel it throughout your entire body.

Quirky Nightclub Chronicles

"The fugue is a play of light and shadow in which each voice has its own color and texture, but together a harmonious picture is created." - Pierre BoulezThe Arcis Saxophone Quartet presents a sounding kaleidoscope of preludes and fugues in their program JSB:48. Immerse yourself in a world full of timbres, lines and rhythms, where the timeless mastery of Johann Sebastian Bach's The Well-Tempered Clavier meets the creative innovation of musicians and composers from all centuries and styles - until today. You will hear works by Bach, Shostakovich, Kapustin and Brad Mehldau, among others, sometimes sensual, sometimes stirring, sometimes captivating, sometimes surprising. And always with the Arcis twist.&nbsp;

JSB:48

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2xdanced

What do you get when you combine game show constraints with two choreographic visions of the same 20-minute piece of music? Arcis Saxophone Quartet invites you to join the beauty and the hilarity of "2XDanced" to find out. The presenter secures one local choreographer and two or more dancers from their community. Arcis Saxophone Quartet arrives 10 days before the performance, bringing with them the second choreographer, Roberta Pisu.Let the games begin!&nbsp;The ProcessEach receiving 5 days of devoted time, the two choreographers work independently with the two (or more) local dancers and the Arcis Saxophone Quartet to create one 20-minute choreography apiece, to the same piece of music. And the pressure is high because everyone has to abide by the rules of the game:<ol><li>The choreographers only have 5 days to create.</li><li>The music will only be delivered 5 days before the start of rehearsals.</li><li>The music is the same for both choreographies.</li><li>The musicians are part of the scene.</li><li>Props and costumes are only what you can find.</li></ol>&nbsp;The Performance (total time = 60 minutes without intermission)After 10 days, it's time to perform, no matter what! Both choreographies are performed one after the other so that the audience can experience how differently the creative brains of the choreographers tick. The audience will also witness the dancers and musicians themselves transform entirely as they inhabit the different choreographies. The artists involved host a conversation with the audience throughout, offering insights into the motives for the respective artistic decisions and inviting shared experience and reflection. Repertoire SamplesEmma O'Halloran – Night MusicCaroline Shaw – Entr'acteJacobTV – Jesus is ComingLeonhard Kuhn – Morning MusicFor the presenter, in addition to engaging the choreographic and dance talents of your institution or community, there is also the opportunity to commission the 20-minute work of music from the composer of your choice.&nbsp;Interested? What you need to know…How long will the final performance last?With two choreographies each 20 minutes and a talk with the audience in between we aim for a total length of 60 minutes.&nbsp;What do we need for the creation process?We need a rehearsal space for 10 days, which is suited for dance practice. That‘s it!Which artists will be involved?The music part is covered by the Arcis Saxophone Quartet and the artistic direction is in the hands of Roberta Pisu, who will also contribute one of the two choreographies. This leaves us with one choreographer and at least two dancers missing. We are happy to cooperate with local artists of your institution or community. Let‘s discuss! Additionally parts of the music could be newly written by a composer of your choice.&nbsp;BiographiesArcis_CollectiveThe collective consists of choreographer Roberta Pisu and the Arcis Saxophone Quartet, who began their collaboration with the full-length production <a href="https://www.youtube.com/watch?v=3QAhkwSj1QU">HEIMAT</a>, which premiered on September 21, 2020 in the Philharmonie am Gasteig Munich. The goal of the collective is to transfer the idea of chamber music to contemporary dance: to create an intimate form of expression in a small ensemble in order to implement subtle and refined artistic ideas.&nbsp;A very important aspect is the joint creative process. The relationship between classical music and contemporary dance and the possibilities and interfaces that result from them should be explored more and more and thus a common statement brought to the stage. For this reason, the musicians are involved in the entire process and not just at the end of the creation process, as is usually the case. With their unique saxophone sound, the musicians, like the dancers, are part of the performance on stage.&nbsp;While Roberta Pisu and the Arcis Saxophone Quartet form the core of the collective, it is more than open to collaboration with any type of music, choreographic approach and any type of art form willing to share an intimate and stimulating creative process.<a href="https://www.arielartists.com/artists/arcis-saxophone-quartet#section-biography" target="_blank" rel="noopener noreferrer">Arcis Saxophone Quartet</a>Roberta PisuRoberta Pisu received her dance training at the Académie de Danse Classique “Princesse Grace” in Monte Carlo and at the Accademia Nazionale di Danza in Rome. She was a member of the ensemble “La Compagnia” in Rome. She gained her first choreographic experience in 2010 as an assistant to Ismael Ivo, the artistic director of the Venice Biennale. Since 2013 she has been dancing in the ballet of the Staatstheater am Gärtnerplatz Munich, where she also works as a choreographer (Momo, Minutemade, Je suis Faust, and others).

Arcis_Collective | Arcis Saxophone Quartet | Roberta Pisu

2XDANCED

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JSB:48 is all about The Well-Tempered Clavier by Johann Sebastian Bach. Spanning a ten year recording project by the Arcis Saxophone Quartet, the original Bach fugues in their version for saxophone quartet are complemented by newly composed preludes all inspired by The Well-Tempered Clavier. Beginning in 2020, the collection of 48 fugues and new preludes will gradually grow over the next ten years as a growing playlist (found on <a href="https://open.spotify.com/playlist/1ljoYy83Rf277TQzBeMu8I?si=d47451c311f8456c">Spotify</a> &amp; <a href="https://music.apple.com/de/playlist/jsb-48-arcis-saxophon-quartett/pl.aa3c7dc426a74729a857cad402474333">Apple Music</a>).&nbsp;DIVERSITYWe believe there is so much more music to discover. Music that may not be so close to us at first, but is all the more exciting. We deliberately want to immerse ourselves in the most diverse worlds and take our listeners on this journey.GENREThe composers we commission come from a wide variety of genres. The basis will always be classical music, but we love diving into other worlds as well.GENDER RATIOFemale composers are still underrepresented. We do not want to accept that and make it very simple: 50% of our composition commissions go to female composers.CULTURESWe have divided the world into different earth culture parts. The new preludes are then distributed evenly among them. That challenges us and is a lot of fun when we are allowed to deal with music that works completely differently than, for example, classical Western music.&nbsp;Repertoire SampleCenterpiece:J.S. Bach paired with new works by contemporary composers – Selection of newly-composed preludes paired with fugues from The Well-Tempered Clavier&nbsp;In addition, selections from:Nikolai Kapustin – 24 Preludes and Fugues, Op. 82&nbsp;Dmitri Shostakovich –&nbsp;Preludes and Fugues, Op. 87Leonhard Kuhn – Fugue &amp; Loops

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Danae_2025-26_Biographies.pdf

Danae offers a 45-60 minute school visit where she gives students an insight into the world of classical music. The engagement includes playing and speaking segments, where Danae presents some pieces, talks about the composers, the piano as an instrument and answers any questions that the students might have. She frequently runs this project at her festival, Molyvos International Music Festival, in Greece and also in Germany with the established "Rhapsody in School" project.

Music Key (K-12)

Danae offers open master classes to students of all levels. Danae will work one-on-one with students to focus on a piece of their choice.

Master Classes (Ages 12 and Up)

Danae Doerken—Photos for Public Download.zip

Danae Doerken

Apollo, the God standing for music, poetry, order and logic and Dionysus, the God standing for chaos, wine and excess are polar opposites. They both guard the oracle of Delphi and in Greek mythology we are taught that, in order to make a balanced decision, it is important to always ask both these Gods for advice. In this program for one piano, four hands, we want to explore the world of these two intriguing figures and in the end, come to the realization that we all carry parts of both Apollo and Dionysus inside of us.

Apollo & Dionysus

This program combines works that were inspired by sounds and melodies the composers heard as well as images the composers saw. Schumann’s Forest Scenes are short musical depictions of nine settings he experienced when walking through the forest, while Schubert’s Fantasy Op. 15 is based on his own famous song “Der Wanderer” that speaks about trying to find happiness. Claude Debussy’s impressionist music is an accurate description of three images through sound, while Bartòk’s Romanian Folk Dances were influenced by folk tunes that he heard on the street. The program ends with two famous works by Liszt, his Love Dream No. 3 and his Rigoletto-Paraphrase, which is composed around four different melodies that stand for four different characters from his own opera “Rigoletto” that sing together in harmonious unity.

Songs and Images

Homer’s epos of Odysseus and his journey from Troy back home is a tale as old as time that stands for the greatness of human endurance, strength and ingenuity. The mindset of never giving up and overcoming all adversity and even godly obstacles is the basis of this mythical story, but its message is relatable to the most current of events.&nbsp;Turkish composer Fazil Say’s “Black Earth” (composed in 2007) is based on a famous Turkish song titled “Kara Toprak” and marks the beginning of this Odyssey, symbolizing the cycle of life and the fact that we are all equal. One of the most famous obstacles that Odysseus has to overcome on his journey are the Sirens, mythical creatures that, with their beautiful voices, lure sailors to their islands and subsequently to their doom. Claude Debussy brought these creatures to life in his Nocturne “Sirènes”, the last of 3 Nocturnes composed between 1892-1899. Originally written for orchestra, today’s arrangement for piano solo was made by Gustave Samazeuilh. The “Waltz of Lost Dreams” by Manos Hatzidakis (composed in 1983) is a famous Greek song that awakes feelings of hopefulness amidst difficult circumstances. The final work of the program is Felix Mendelssohn’s Fantasy op. 28 (composed in 1834), also titled “Scottish Sonata”. The piece was strongly influenced by his travels through Scotland and, once again, depicts how we are transformed through internal and external journeys. Let us all embark on this Odyssey together and, in pursuit of Ithaca, cherish every moment - easy and difficult - in order to realize that the journey itself&nbsp;is&nbsp;the destination.

Odyssey

This program is a celebration of my Greek heritage and explores the world of Greek composer Mikis Theodorakis, who is not only an important musical figure, but rather a true hero of the people, who fought for freedom above all and endured great hardships while doing so. His songs reflect exactly that sentiment and remind us why freedom is such a fundamental value that is worth fighting for, while his “Melos” showcase his influence by Greek composer Manolis Kalomiris and Claude Debussy, as well as his contemporary, Dimitri Shostakovich.&nbsp; &nbsp;

HELIKON (version one)

This program is a celebration of my Greek heritage and explores the world of Greek composer Mikis Theodorakis, who is not only an important musical figure, but rather a true hero of the people, who fought for freedom above all and endured great hardships while doing so. His songs reflect exactly that sentiment and remind us why freedom is such a fundamental value that is worth fighting for, while Schumann’s Fantasiestücke, Say’s “Black Earth” and Liszt’s “Rigoletto paraphrase”, like the songs, very similarly tell moving stories through music within their own very different harmonic world.&nbsp; &nbsp;

HELIKON (version two)

East and West embodies Danae Dörken’s feeling that our diversity is what ultimately brings us together and gives us enormous strength. All of the works in this program share the commonality of being heavily influenced by folk music traditions of different countries around the world. The folkloristic character of these compositions highlights the individual elements of each culture that render the pieces unique and underscore the necessity for them to be loved and remembered forever.Chopin’s Polonaise in C-sharp minor embeds the melancholy of the tunes of polish folk music, while Bartók’s Romanian Folk Dances feature the unusual rhythms of the Transylvanian peasant polka. Schubert’s 12 Ländler reflect the melodies of alpine folk dances, while Danza ritual del fuego by de Falla is reminiscent of guitar performers that can be heard in village squares in Spain. Grieg’s inspiration for Wedding Day at Troldhaugen came from the mighty chords that characterise Norwegian folklore and Manolis Kalomiris’ compositions are influenced by Greek folk music. At first glance, the Huit Nocturnes by the French neoclassical composer Francis Poulenc might seem a little out of place, but while this composition is not directly influenced by folk music, the simplistic elegance of the Nocturnes render them ideal counterparts to the remaining pieces on the program.

East and West

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Danae and Kiveli Doerken's success as a piano duo, their obvious artistic consensus, their pianistic coalescence and even the way they physically intertwine at the instrument all attest to the fact that they are predestined to perform as a duo. Fono Forum considers them “worthy candidates as successors to the Labèques or the Pekinels”, while the Kölner Stadt-Anzeiger praises the duo as “a miracle of lightness, charm and feeling”.&nbsp;The sisters have both been pursuing successful careers as soloists and chamber musicians for several years already, but independently of one another, instead performing with other well-known instrumentalists. “We used to think that playing four hands or as a duo would be too self-evident a choice, so we first wanted to discover our own paths and develop independently, both musically and personally.” Their separate tracks eventually merged: “It’s fascinating to hear how they have imbibed the cooperative spirit of real chamber music,” enthuses the magazine PianoNews. “The piano duet is the most intimate form of chamber music and such a revealing art form, being physically so close at the same instrument,” says Danae.&nbsp;Their early musical routes were independent, yet parallel: both sisters were moulded by the same teachers. When they were 11 and 7 years old, they started lessons with the renowned piano pedagogue Prof. Karl-Heinz Kämmerling. Later they continued their studies with pianist and conductor Lars Vogt, with whom they formed a close friendship that lasted until his death in September 2022.&nbsp;In the 2023/24 season their engagements include concerts with the Symphony Orchestra in Helsingborg, the Bruch Concerto for two pianos with the Baden-Baden Philharmonic and four-hand recitals in Fürth, Finsterwalde, Koblenz and at the festival Sommerliche Musiktage Hitzacker. Recently their first CD containing four-handed piano compositions, Apollo &amp; Dionysus, was released on the Berlin Classics label. “The mysteries of the selected pieces mostly gleam from within, never obtrusively, but with poetic intensity,” writes the reviewer of the magazine Concerti.&nbsp;<h3>&nbsp;</h3><h3>Programs</h3>Apollo &amp; Dionysus (one piano, four hands)Schubert – Fantasy in F minor, Op. 103, D.940De Falla – “La vida breve” Dos DanzasRavel – Daphnis et Chloé, Suite No. 2- intermission -Mendelssohn (arr. Carl Czerny) – Song Without Words, Op. 38 No. 6 “Duetto” in A flat MajorMendelssohn (arr. Carl Czerny) – Song Without Words, Op. 67 No. 2 in F sharp minor&nbsp;Brahms – Hungarian Dances Nos. 1-10 (Book 1)Apollo, the God standing for music, poetry, order and logic and Dionysus, the God standing for chaos, wine and excess are polar opposites. They both guard the oracle of Delphi and in Greek mythology we are taught that, in order to make a balanced decision, it is important to always ask both these Gods for advice. In this program for one piano, four hands, Apollo &amp; Dionysus explores the world of these two intriguing figures and in the end, come to the realization that we all carry parts of both Apollo and Dionysus inside of us.&nbsp;BLACK &amp; WHITE (two pianos)Debussy – En blanc et NoirPhillip Glass – III. from Four Movements for Two PianosLutoslawski – Variations on a theme of Paganini- intermission -Rachmaninov – Symphonic Dances, Op. 45BLACK &amp; WHITE explores the theme of contrast through different musical works. Debussy’s&nbsp;"En blanc et Noir"&nbsp;alternates between delicate lightness and heavier, darker textures. Glass’s minimalist patterns create a sense of movement through repetition and subtle variation, while Lutosławski’s variations contrast the familiar Paganini theme with radical, often jarring changes. Finally, Rachmaninov’s&nbsp;Symphonic Dances&nbsp;balance expansive lyrical passages with more dramatic, rhythmic energy and bring all the orchestral colors out with two pianos. &nbsp;

Danae Doerken & Kiveli Doerken

Duo Doerken

piano

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Benedict Kloeckner_2021-22 Biographies.pdf

Benedict Kloeckner—Photos for Public Download.zip

Benedict Kloeckner

Forgotten Romance is a program of works by three great Romantic pianists and composers who didn’t write very much chamber music, but had a particular love for the cello. Sergei Rachmaninov wrote his Cello Sonata after a long personal and artistic crisis, in which he had to fight back his way to mental health and artistic creativity. His Cello Sonata is a journey of the soul –from darkness, struggle, and despair to blazing joy and glory Following a similar journey, Chopin’s Cello Sonata was one of his last works, a complex masterpiece full of poetry, virtuosity, and intensity. The program opens with Liszt’s beautiful and lyrical Romance oubliée and his famous Dream of Love, conveying the composer’s great emotional depth in what&nbsp; Frederic Delius calls “an outburst of the soul.”&nbsp;

Forgotten Romance

Robert Schumann’s works for violoncello and piano have accompanied and inspired me ever sinceI started playing the cello. It was our wish to combine works by Schumann with 20th century compositions that shared his spirit of innovation, his love for the music of the past (in particular that of Johann Sebastian Bach) and his efforts to achieve a simplicity of expression&nbsp; a “folk style” that, in its approachability and highest artistic standard, appealed to the public’s interest back then.Schumann’s music is characterized by poetry, sensibility, and sincerity; they are also indispensable elements for Dmitri Shostakovich and Bohuslav Martinů, even if these contrasted sharply with external conditions –perhaps to even counter the disorders of the world with something deeply intimate and human. In keeping with the spirit of Leonard Bernstein,&nbsp; I wish to do justice to the relevance of this music. “This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”

Between Nostalgia and Revolution

Legendary cellist Pablo Casals once said that Johann Sebastian Bach’s 6 Suites for Violoncello “is the quintessence of Bach’s music, and Bach himself the quintessence of all music itself.” Casals made these works famous as one of mankind’s great achievements. They are inspired by fashionable court dances of the time and some musicologists also suspect a connection to biblical stories from the New Testament. Experiencing the complete cycle in one (or optional two) evenings is both an adventure for the listener and a challenge for the interpreter, with both facing some of the most virtuosic, emotionally deep, and musically genius art ever made.

A Dancing Miracle

Inspired by Bach explores the influence of Johann Sebastian Bach, a major influence to many composers, through two of the most beautiful cello sonatas of the repertoire. Mendelssohn is known for being a great advocate of Bach’s music, and in his vibrant, virtuous Cello Sonata, it is especially clear in the slow third movement, which touches the listener as a slow Bach-style chorale and quotes parts of Bach’s chromatic Fantasy and Fugue. It is not known how familiar Beethoven was with Bach’s work, however in his magnificent Cello Sonata, he quotes Bach’s Johannes Passion “es ist vollbracht.” Beethoven’s Cello Sonata then became its own inspiration for many composers, who attempt to echo its perfect instrumental balance and compositorial genius.&nbsp;

Inspired by Bach

cello

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Pascal Le Boeuf_2025-26_Biographies.pdf

Pre-Concert Talks Informative, accessible discussions offering insights into programmed, performed, or newly commissioned works, including background, inspiration, and compositional techniques.Jazz Piano Pop-Ups &amp; Special Events Intimate solo jazz performances tailored to donor events, preview nights, or community celebrations—perfect for enhancing fundraising and engagement efforts.Open Rehearsals with Composer Feedback Opportunities for audiences to attend rehearsals and witness the creative process. Includes real-time feedback on performances of the artist’s work and interactive Q&amp;A with musicians and audience members.Panel Discussions Thoughtful and engaging conversations moderated or joined by Pascal, exploring topics such as the role of technology in music, genre-crossing practices, innovation in composition, or the future of jazz and classical music. Ideal for festivals, academic institutions, or community forums.

Offerings focus on music composition, improvisation (jazz and classical), rhythm, music technology, and professional development for emerging artists.Lectures &amp; Workshops:<ul><li>Composing with Identity and Narrative</li><li>Advanced Rhythmic Concepts in Jazz and Contemporary Music</li><li>Odd Time Signatures and Metric Modulations</li><li>Music Production for the Contemporary Composer/Performer</li><li>Intersections of Jazz and Classical Composition</li></ul>Master Classes One-on-one or group coaching for composers, jazz pianists, improvisers, and music technologists. Can be tailored to existing curriculum or repertoire.Career Development Sessions Candid conversations about sustaining a creative career, including grant writing, self-producing recordings, web content creation, and building an interdisciplinary artistic identity.1:1 Mentoring and Coaching Personalized feedback sessions for students pursuing classical composition, jazz, or hybrid practices.Collaborative Performances Pascal is available for collaborative performances with student ensembles, faculty, or fellow guest artists—particularly in newly composed or improvisatory settings.

College & University Level

Elementary Level: Fast-paced interactive concerts that introduce musical instruments and jazz improvisation through audience participation. Activities include identifying musical themes, clapping rhythms, or even joining performers on stage.Middle &amp; High School: Engaging sessions for music and arts students that emphasize creativity, listening, and collaboration. Flexible to support general assemblies, classroom visits, or ensemble rehearsals.

K–12 School Programs

Pascal Le Boeuf leads a joyful and interactive introduction to music through storytelling, books, and improvisation. Children explore rhythm, melody, and creativity through call-and-response, movement, and sing-alongs. Stories may include:<ul><li>Charlie Parker Played Be-Bop</li><li>When Louis Armstrong Taught Me Scat</li><li>Mama Don’t Allow</li></ul>

Pre-K (Ages 3+) – Musical Story Hour

Pascal Le Boeuf—Photos for Public Download.zip

Pascal Le Boeuf

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Hailed as “sleek, new” and “hyper-fluent” by The New York Times, GRAMMY® Award-winning pianist/composer Pascal Le Boeuf continues to blaze a trail of forward-thinking creativity with his latest project Ritual Being. In realizing bold, hybrid forms of new music and jazz, Le Boeuf surrounds himself with like-minded players of the highest order, including violinist Sara Caswell, cellist Nick Photinos, and drummer Christian Euman to build a program of extraordinary rhythmic urgency, contrapuntal density and breathtaking imagination.&nbsp;Ritual Being draws its distinctive sound from the artistic voices of its members. Violinist and GRAMMY® Nominee Sara Caswell is celebrated for her lyricism and technical facility, praised by the late violin maestro Franco Gulli as possessing “a remarkable understanding of different musical styles and an uncommon power of communication.” Four-time GRAMMY® Award-winning cellist Nick Photinos is among the innovative and multifaceted cellists whose “virtuoso cello playing is scintillating” (Chicago Classical Review). He is an ardent advocate of new music as evidenced by 24 years as the founding cellist and co-Artistic Director of Eighth Blackbird, and by his long list of collaborators which include Björk, Philip Glass, and Sheila Jordan among others. Pascal Le Boeuf is a GRAMMY® Award-winning composer/pianist and Guggenheim Fellow. He is widely recognized for his polyrhythmic approach to chamber music and hybridization of disparate idioms. Christian Euman, one of Revive Magazine's "six drummers you should know about," brings a powerful sense of presence and sensitivity to the group. He has toured with Jacob Collier, Kurt Elling, Billy Childs, Walter Smith III, and Herbie Hancock, among others.&nbsp;Their latest release, Ritual Being, is about the effects of mankind’s behaviors on the planet and each other and has been described as “an album of spine-tingling chamber pieces” (All Music), “gorgeous” (Mercury News), and “experimental” (Downbeat Magazine). Le Boeuf explains, “I’ve always been interested in patterns of human behavior, especially their impact on the environment and society. Some are beautiful, some are not. Some are sustainable, some are destructive. The behavioral tendencies of our species are habits which we’re predisposed to exhibit without conscious effort, but when we intentionally choose our habits and repeat them to serve a goal, they become rituals.” Together, Ritual Being forms a collaborative ensemble defined by bold experimentation, mutual trust, and a shared commitment to expanding the boundaries of contemporary music.&nbsp;<h3>Concert Repertoire:</h3><ul><li>Pascal Le Boeuf – "Wanderlust" (from "Ritual Being")</li><li>Pascal Le Boeuf – "Obliquely Wrecked" (from "Ritual Being")</li><li>Pascal Le Boeuf – "Transition Behavior"&nbsp;(from "Ritual Being")</li><li>Pascal Le Boeuf – "Calgary Clouds"</li><li>Pascal Le Boeuf – "Alpha"</li><li>Pascal Le Boeuf – "Variations on a Mood"</li><li>Pascal Le Boeuf – "Dedications" (from "Are We Dreaming the Same Dream?")</li><li>Pascal Le Boeuf – "Ambassadors" (from "Are We Dreaming the Same Dream?")</li><li>Pascal Le Boeuf – "Walk Downs" 4'&nbsp;(from "HUSH")</li><li>Pascal Le Boeuf – "Soot" 4'&nbsp;(from "HUSH")</li><li>Pascal Le Boeuf – "Wedding Planning" 7'&nbsp;(from "HUSH")</li><li>Pascal Le Boeuf – "Monk Circles" 4'&nbsp;(from "HUSH")</li><li>Dave Brubeck arr. Le Boeuf – "Blue Rondo A La Turk"</li><li>Leonard Bernstein&nbsp;arr. Le Boeuf – "Somewhere"</li><li>Meredith Monk&nbsp;arr. Le Boeuf – "Passage"</li><li>Geri Allen arr. Le Boeuf – “RTG” (full septet)</li><li>Radiohead arr. Le Boeuf – Medley: "Knives Out," "Paranoid Android," "Exit Music" 12' (additional selections upon request)</li><li>Various Jazz Standards arr. Le Boeuf (upon request)</li></ul>

Pascal Le Boeuf | Sara Caswell | Nick Photinos | Christian Euman

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Ritual Being

composer, jazz pianist, producer

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Mirari Brass Quintet_2025-26_Biographies.pdf

THE SCIENCE OF SOUND&nbsp;How do brass instruments work? What are the differences between them? How do you make so many sounds? These are some of the questions we are often asked by young students, and we will demonstrate the answers through a range of interactive games.

Elementary School Outreach

The Mirari Brass Quintet offers a variety of lecture/demonstrations on more specialized topics. These can be tailored as necessary to suit the needs of any given audience, and can be mixed and matched as well.&nbsp;Topics include:&nbsp;<ul><li>PHRASE AND FLOW</li><li>FEARLESS PERFORMANCE</li><li>INSTRUMENTAL YOGA</li><li>THE ENTERPRISING ARTIST</li></ul>

Specialized Lectures/Demonstrations

The Mirari Brass Quintet has decades of collective educational experience, and loves to work with students of all levels, whether they specialize in brass or simply have a general interest in music and performance. The Mirari can work one-on-one, with small groups, or with large audiences. In addition to the traditional master class setting, in which specific pieces are used to bring focus to larger performance concepts, the Quintet can also speak as a group on areas of expertise. These topics can be geared towards audiences of all ages and ability levels, and can be mixed and matched to suit the needs of any event:&nbsp;<ul><li>BRASS FUNDAMENTALS</li><li>CHAMBER MUSIC FUNDAMENTALS</li><li>MUSIC BUSINESS AND MARKETING</li><li>THE ART OF PERFORMING</li></ul>

Master Classes

The members of the Mirari Brass have for years worked with students of all ages across the United States and around the world. With your band program, we can set up a customized residency experience with a variety of different activities. Some of these specialized activities are detailed below, but we can also work with the full ensemble on your concert music. We will be happy to sit side-by-side with your students, conduct the ensemble, or make comments Typically a short Mirari Brass performance for your students will accompany a residency. Each of these activities works equally well with high school, junior high, or middle school ensembles.BREAKOUT SESSIONS&nbsp;Fundamentals Classes (30 – 60 minutes): We will individually take out the trumpet, horn, and low brass sections and work with them on air support, sound production, articulation, flexibility, and other basic concepts.&nbsp;Brass Sectionals (30 – 60 minutes): We can work individually with brass sections on their band music, teaching them technical as well as musical concept.MINI CLINICS FOR THE FULL BAND&nbsp;Breathing, Posture, and Yoga for Musicians (30-45 minutes): Find out how proper body alignment, air support, and physical fitness can improve music making for everyone! We will take your students through simple stretching and breathing exercises designed to reduce tension and perform with a beautiful sound.Pursuing Music in College (30-45 minutes, High Schools Only): Geared towards any student looking to play music at the college level regardless of their major. Learn about the opportunities available to students, how to select a college, the audition process, and important tips for success as a music major. The members of the Mirari Brass collectively have nearly 50 years of college teaching experience!&nbsp;

Band Clinics

Mirari Brass Quintet—Photos for Public Download.zip

Mirari Brass Quintet

"Hidden Perspectives" showcases some of our favorite brass quintet repertoire that has not yet made its way into the traditional canon. Written in the 21st century, the music represents a wide array of identities and experiences. Central to Mirari’s mission is highlighting works written by unknown or emerging composers, and this program does just that. Zoe Cutler’s Personality Test serves as the centerpiece of the first half. It features each member of the quintet musically depicting one of five different personality types as defined by the composer. There is humor, virtuosity, and a variety of styles in this clever, engaging multi-movement work. Along with Chris Evan Hass’s joyful You do You, the contemplative Sleepy Hollow by Ryan H. Jones, and Edgar Girtain’s somber, reflective Thank You For Your Service sheds light on some relatively unknown composers who bring their artistry and fresh perspective to chamber repertoire.The concert features two winners of Mirari’s Call for Scores Competition. First is the exciting Maculele by Gilson Santos and Fleeting Images by Florence Maunders, a driving, high-energy closing piece inspired by UK club/electronic music. We round out the second half with Reena Esmail’s richly evocative Khirkiyaan. This program delicately balances innovative repertoire with listener satisfaction so that it is appropriate for any audience.&nbsp;

Hidden Perspectives

“Mind the Gap” is inspired by the phrase delivered to passengers traveling on the London Underground (AKA “the tube”). Intended as a warning, the phrase is repeated at every stop to help riders traverse the space between the stationary platform and the moving train. With this program, we explore the space between standard and innovative, groundbreaking repertoire, displaying that both can exist side-by-side in complete harmony. Brass quintet classics like Jan Koetsier’s Quintet and Charles Collier Jones’s Four Movements for Five Brass anchor the two halves of the program, while newer works are incorporated to create a seamless concert celebrating music for brass quintet. Sleepy Hollow and a set of madrigals, arranged by Mirari trombonist Sarah Paradis, feature expressive lyricism while Anthony Barfield’s Gravity and Jennifer Higdon’s Fanfare deliver the virtuosity and power one expects from a brass quintet. Fleeting Images won Mirari’s Call for Scores Competition in 2021, and Cait Nishimura’s When Clouds Break is a new addition to our repertoire. We are delighted to champion these impressive new works. “Mind the Gap” is a winning juxtaposition of old and new, standard and innovative.

Mind the Gap

"Celebrated Classics" is our nod to the long and storied history of the brass quintet. We feature concert music with traditional structures and tonal language. Spanning from the sublime to the profane; from the absolute to the programmatic, Mirari takes the audience on a journey that begins with Bach and ends with a musical. What you have here is truly a “greatest hits” playlist for brass quintet.This program begins with a composer who may need little to no introduction. A transcription of J.S. Bach’s Contrapunctus IX sets the tone for what the brass quintet is capable of achieving in concert. Next is one of the earliest pieces written for the ensemble, the Quintet No. 1 by the Russian Romantic composer Victor Ewald. Michael Kamen’s short, expressive Quintet emphasizes the ensemble’s warmth and lyricism. The first half concludes with the charming and memorable Quintet by Jan Koetsier.The vibrant Dance by Wilke Renwick leads to the standard Four Movements for Five Brass by Collier Jones. Noted for its neoclassical style, one might think they are hearing music written by Mozart, Haydn, or Beethoven but with a newer, more contemporary flair. What follows is Alexander Arutiunian’s Armenian Scenes, each movement depicting Armenian culture and tradition. What better way to conclude a program than with Jack Gale’s expert arrangement of familiar tunes from The Sound of Music. Yes, you can (and should) sing along if you know the words! This program will delight lovers of more traditional classical chamber music!

Celebrated Classics

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Palaver Strings_2025-26_Biographies.pdf

What exactly is “classical” music? Join Palaver Strings for an engaging presentation exploring string music by Bach, Mozart, and Haydn, as well as groundbreaking voices of the modern age. This 45-minute workshop introduces the sounds of the string instrument family (violin, viola, cello, and bass), as well as the diverse voices, eras, and styles under the classical umbrella, with an emphasis on music by women and composers of color. This presentation is designed for grades K-8, with no prior musical experience required.

Outside The Bachs (Grades K-8)

Designed for school orchestra students, this workshop puts Palaver Strings musicians side by side with students, introducing the fundamentals of chamber music and conductorless ensemble playing. We also introduce the concept of improvisation and spontaneity as tools for creative musical expression. This 60-minute workshop is designed for grades 4-12, with some prior string instrument study required. Repertoire will be chosen in consultation with the school’s orchestra director/string teacher and tailored to the age and experience of the students.&nbsp;

SideXSide (Grades 4-12)

Hear the classic story of Ferdinand the Bull with a full string orchestra and narrator! With music by Alan Ridout and text by Munro Leaf, Ferdinand the Bull tells the story of a young bull who feels different from others, and eventually learns to accept himself for who he truly is. This 10-15 minute performance is designed for students age 5-10, with no prior music experience required. Palaver Strings or the host organization may provide a narrator.

Ferdinand The Bull (Ages 5-10)

Join Palaver Strings for an engaging and hands-on experience that empowers students to unleash their creativity! Guided by experienced musicians, participants will explore music through interactive activities such as instrument-making and painting to live music.&nbsp; This multi-sensory approach encourages students to explore and experiment freely. These 45-60 minute workshops can be customized according to age group, with no prior musical experience required. Additional costs for materials may apply, depending on the activities involved.

Touching Sound

Music and emotion are inextricably linked; music evokes a wide range of emotions in listeners, from happiness to sadness to excitement to calm. Join Palaver Strings in an interactive concert of music and emotion through active listening, musical expression, movement, and mindfulness.This 45-minute presentation is designed for students ages 5-9. No prior musical experience is required.

Harmony of the Heart (Ages 5-9)

Creative collaboration brings together people from different backgrounds, skills, and experiences. This 60-minute workshop/performance features Palaver Strings and collaborating artists, and includes a short performance and discussion of musical style, cultural values, power dynamics, and strategies for equitable collaboration across cultures, genres, and artistic disciplines. Examples of collaborating artists include Kinan Azmeh (clarinet/composer/improviser), Heather Stewart (modern dance), Chris Pattishall (jazz pianist), and Lauren Stevens (traditional Wabanaki song). This presentation is designed for students age 8 and up, with no prior musical experience required. Note that this workshop is dependent on the availability of collaborators, must be booked at least one year in advance, and that additional costs for guest artists may apply. &nbsp; &nbsp;

Come Together: Palaver and Friends (Ages 8+)

Palaver Strings—Photos for Public Download.zip

Palaver Strings

Sinfonia Fantastica addresses themes of gender, power, fear, and desire through the medium of chamber music. Sinfonica Fantastica, a world premiere by Palaver’s own Teagan Farran, is a response to Berlioz’s Symphonie Fantastique, retold from the perspective of the pursued woman. It draws on themes from the original Berlioz as well as Farran’s deep knowledge of tango idioms, relating them to Paris’s role in globalizing and exoticizing tangoian tastes during Berlioz’s time. Sinfonica Fantastica turns the Romantic fascination with the exotic and the masculine hero on its head. Our program continues with Nina Shekhar’s Above the Fray, which takes Bach’s famous cello prelude and transforms, degrades, and reshapes it. Llyllyth’s Canary Resuscitator is an ambient chorale-like piece that refers to the use of canaries in coal mines to warn of gas leaks. She compares the canary to the US trans population, especially around issues of healthcare and wellness, and her piece is intended both as a response to and a respite from the political turmoil surrounding trans rights.

Sinfonia Fantastica

Serenades explores the serenade through a broad lens, across genres, eras, and styles in a changing world. At its heart is Josef Suk’s Serenade for Strings. We juxtapose this Romantic classic with Carlos Simon’s Between Worlds, a meditative work inspired by visual artist Bill Traylor, whose life and work spanned the end of slavery through the beginning of the Civil Rights movement. In our arrangement, different string parts “serenade” one another antiphonally across the ensemble. Ravel’s Troi Chansons, written at the outbreak of World War I, reflects on loss of life, innocence, and continuity in a changing world. Our arrangement of Laurie Anderson’s O Superman, fused with the third movement of Bach’s A Minor Violin Sonata, explores human relationships with machines and with one another. The program concludes with modern-day “moonlit serenades” by Glen Miller and Laura Mvula. Serenades is a musical call for a new and brighter world.

Serenade

This program explores the African-American experience in classical music, through the eyes of Black composers. It begins with the “blues” movement of Ravel’s Violin Sonata No. 2, arranged for string orchestra and solo violin, and continues with our arrangement of Julia Perry’s Prelude for Piano, a nuanced, neoclassic gem full of anticipation and reflection. At the heart of the program is Clarence White’s Bandana Sketches, a four-movement arrangement of Negro Spirituals. We conclude with the lush romantic string writing of Adolphus Hailstork and William Grant Still, linked by themes of spirituality, meditation, and familial bonds. The Apple of their Eyes encapsulates the beauty and resilience of the African-American experience, and celebrates the richness and depth of Black classical music.

The Apple of their Eyes

Featuring acclaimed jazz vocalist Vuyo Sotashe and Grammy-nominated pianist Chris Patishall, Songbook celebrates the rich musical heritage of Sotashe’s home country, South Africa. The program includes traditional folk songs in Zulu, Sepedi, and Xhosa, choral works by Michael Moreane and Bheki Mseleku, a new string orchestra arrangement of Bongani Ndodana-Breen’s Apologia at Uzimvubu, and originals by Vuyo Sotashe, all presented in fresh arrangements for voice, piano, and strings by Chris Patishall. Songbook explores connections between American jazz, South African traditional music, and European classical music, moving fluidly between traditions in a spirit of exploration and joy.

Songbook with Vuyo Sotashe & Chris Pattishall

Dancing Home explores themes of heritage, belonging, displacement, and resilience through the lens of dance. At the heart of this program is the world premiere of ḥawwāsh by Kareem Roustom. Inspired by the ḥawwāsh, or lead dancer of a traditional dabke dance, this piece allows any musician to lead the ensemble at any given moment, sharing fluid leadership through physical and sonic cues. This program also features Palaver’s arrangement of Bartok’s Romanian Dances, original tunes by Maya French and Jamie Oshima, and Kinan Azmeh’s Syrian Dances, commissioned by Palaver in 2022. Dancing Home celebrates social dance as a meeting place for tradition and innovation, and a vehicle for building resilience, joy, and trust.

Dancing Home

Featuring Grammy award-winning tenor Nicholas Phan, this program explores our country’s rich legacy of protest songs. Repertoire includes traditional songs of protest and music inspired by social movements and historical events, including Nico Muhly’s Stranger, Akenya Seymour’s Fear the Lamb, and a new commission by Errollyn Wallen. Spanning genres, eras, and movements, A Change Is Gonna Come provokes conversation, confronts our past and present, and celebrates the act of protest as one of our most precious rights.

A Change is Gonna Come

Port City explores tango music throughout the genre’s history, and features bandoneon visionary Heyni Solera as soloists and composers. Palaver will perform danceable classics alongside contemporary tango-inspired compositions. We will also welcome powerhouse dancers Phi Lee Lam and Carla Marano to join us for a full tanda, or series of tango dances. This performance will celebrate tango’s ongoing evolution and the powerful interplay between music and dance.

Port City ft. Heyni Solera

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A 2025 Grammy nominee, A Change Is Gonna Come&nbsp;provokes conversation, confronts the past and present, and celebrates the act of protest as one of humanity’s most precious rights.&nbsp;Featuring Palaver Strings, Grammy-nominated tenor Nicholas Phan, and jazz vocalist Farayi Malek,&nbsp;A Change is Gonna Come&nbsp;explores our country’s rich legacy of protest songs. Repertoire includes traditional songs of protest and music inspired by social movements and historical events, including Nico Muhly’s Stranger, Akenya Seymour’s Fear the Lamb, and the premiere of Errollyn Wallen’s Protest Songs. Read more about the album <a href="https://www.arielartists.com/news/palaver-strings-announce-3rd-album:-'a-change-is-gonna-come'" target="_blank" rel="noopener noreferrer">here</a>.<h3>&nbsp;</h3><h3>About the Lifesongs Project</h3>To celebrate the album's release, Palaver Strings and Nicholas Phan have launched a 3-day residency project and performance that explores collaborative music-making, storytelling, and protest through song by involving local community members in writing their own stories with Palaver's Lifesongs Project.&nbsp;This 3-day residency will explore the expressive potential of collaborative music-making, storytelling, and protest through song, and how themes of hope and justice can connect us with each other. The project will centre around Grammy-nominated album A Change is Gonna Come&nbsp; while working closely with local&nbsp;community members to write their own stories through the lens of Palaver's Lifesongs Project. Presenters can choose which community, and which members within that community, would benefit most from participating in the Lifesongs songwriting workshop.&nbsp; Examples of communities could include: an LGBTQ group, an Osher lifelong learning group, an Alateen group, a group of inmates pursuing higher education degrees, etc.&nbsp;After a day of songwriting followed by a day of revision/demoing, Palaver and the community songwriters will offer a culminating public performance of the songs, as well as the process-sharing discussion.Day 1:&nbsp;Lifesongs songwriting workshop. Palaver musicians will work with 3-5 members of the community of your choice to write songs about their life stories or issues that are important to them.Day 2:&nbsp; Lifesongs songwriting revision session and creation of take-home demo recordings. Palaver musicians and participating community members will finish the songs and record demo recordings for the community member's&nbsp;personal use.Day 3:&nbsp;Lifesongs live performance and process-sharing session with public audience, followed by a culminating&nbsp;Change is Gonna Come&nbsp;performance by Palaver Strings and Nicholas Phan&nbsp;<h3>A Change is Gonna Come</h3>Repertoire on the album&nbsp;includes traditional songs of protest and music inspired by social movements and historical events, including a new commission by Errollyn Wallen titled&nbsp;Protest Songs, sung by Phan. Eight of the thirteen tracks on the album are heard in arrangements by Attacca Quartet’s Domenic Salerni.The centerpiece of A Change Is Gonna Come is the world premiere recording of Errollyn Wallen’s “Protest Songs”, commissioned for this project in 2021. An award-winning, Belize-born British composer and performer, Wallen herself wrote the text for the first movement, setting the second to a text by Frances Ellen Watkins Harper, an abolitionist and one of the first Black poets published in the United States.The album has been nominated for Best Classical Solo Vocal Album for the 67th Grammy Awards.&nbsp;<figure class="image image_resized" style="width:75%;"><img src="https://d2k153re4i383a.cloudfront.net/Palaver_Strings_Album_Cover_3000x3000px_300dpi_V05_020424_bbfbf0718e.jpg"></figure>&nbsp;<h3 style="margin-left:0px;">“It has been the greatest privilege to compose for Nicholas Phan and Palaver Strings. I am delighted that my new work,&nbsp;Protest Songs, is included on this important album.”</h3><h3>– Errollyn Wallen</h3>&nbsp;<h3>Repertoire</h3>Nico Muhly – Stranger Roberta Slavitt, Alfred Hayes, Malvina Reynolds, arr. Domenic Salerni – Freedom is a Constant Struggle/I Dreamed I Saw Joe Hill/It Isn't Nice Harry Burleigh/ Langston Hughes, arr. Ian Gottlieb – Lovely, Dark and Lonely One Abel Meeropol/Billie Holiday, arr. Jonathan Bingham – Strange Fruit Akenya Seymour – Fear the Lamb Bob Dylan, arr. Domenic Salerni – Blowin’ in the Wind Joni Mitchell, Pete Seeger, Phil Ochs, arr. Domenic Salerni – Fiddle and the Drum/Where Have all the Flowers Gone/What Are You Fighting For? Errollyn Wallen – Protest Songs (Project Commission) Sam Cooke, arr. Domenic Salerni – A Change is Gonna Come&nbsp;

featuring Palaver Strings and Nicholas Phan

A Change is Gonna Come Performance and Lifesongs Project

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Paragon Ragtime Orchestra_2025-26_Biographies.pdf

The Orchestra also creates customized programs for special events, centennials, celebrations, and holidays. With over 20,000 historic scores covering every musical style popular from the Civil War era to the Jazz Age, and with acclaimed American-music expert—and showman—Rick Benjamin in charge, we have the power and experience to custom-build programs especially for your venue, event, or theme. Your imagination is the only limit! Our client list over 30 years ranges from billion-dollar entertainment conglomerates to major performing arts centers and museums to small not-for-profit groups (and everything in-between).

Special Events & Customized Programs

The PRO also offers condensed 50 minute versions of all of the above programs for young audiences in schools; we have different versions of each designed for specific age levels: kindergarten–grade 2, grades 3–5, middle school, and high school students.

Artists