Acclaimed by the New York Times for their “expertly played” performances displaying “meaty lower brass textures,” the Guidonian Hand is New York City’s leading modern trombone collective.

Tireless advocates for contemporary music, this adventurous ensemble collaborates frequently with living composers, bringing to life compelling new works. They have commissioned over a dozen new works and received grants from organizations such as Chamber Music America, the Barlow Foundation, and New Music USA (formerly Meet the Composer).  The Hand has premiered works by Eve Beglarian, Conrad Winslow, J. Mark Stambaugh, Galen Brown, and Jeremy Howard Beck.  Current commissions include pieces by Mary Ellen Childs, Jeremy Howard Beck, Max Seigel, Christian Gentry, Tim Hanson, and Alex Weiser, the group’s composer in residence for the 2012-13 season.

An exhilarating addition to New York’s vibrant music scene, the Hand has performed extensively in the New York metropolitan area at such venues as the Lincoln Center Chamber Music Society, Le Poisson Rouge, The Stone, The Juilliard School, Galapagos Art Space, Roulette, Manhattan School of Music, The Tank, Mannes College of Music, New York University, INTAR Theater, the Bang on a Can Marathon, the Tribeca New Music Festival, and the Gershwin Hotel’s New Music series. In 2010, they appeared as featured guest artists at the International Trombone Festival in Austin, TX. Upcoming engagements include appearances at the Eastern Trombone Workshop and tours to California, Arizona, Pennsylvania, and Vermont.

In addition to modern literature, the Guidonian Hand gives a fresh voice to classical repertoire, juxtaposing art music of the past with modern works. Programs frequently reflect eclectic and wide-ranging musical interests, from Bach to Mozart to Thelonius Monk to Jacob TV. The Hand is passionate about creating original performance experiences that blend music with other art forms such as film, dance, theatre, and spoken word. Recent collaborations include a concert that paired new music with machines constructed by kinetic sculptor and MIT Artist-in-Residence Arthur Ganson.

Members of the Hand have performed with diverse ensembles in New York City and across the country, including Ensemble ACJW, the Either/Orchestra, Tilt Ensemble, the Darcy James Argue Secret Society, the Shrine Big Band, Signal Ensemble, Argento, Wet Ink, ACME, and numerous symphony orchestras including the Dallas Symphony, Pittsburgh Symphony, Pittsburgh Opera, Utah Symphony, Verbier Festival Orchestra, Akron Symphony, New Hampshire Symphony, Rhode Island Philharmonic, Symphony in C, Canton Symphony, Albany Symphony, and Vermont Symphony.

Dedicated to educating and inspiring young musicians, members of the Hand actively participate in community outreach and music education through such organizations as Barge Music, the Bronx Charter School for the Arts, Kaufman School at Lincoln Center, USDAN Center for Creative and Performing Arts, and Third Street Music School Settlement. They have also presented masterclasses at various colleges and universities including the University of the Arts in Philadelphia and West Chester University.

Originally hailing from California, New York, Texas, and Utah, the trombonists of the Hand now call New York City home. They hold graduate degrees from the Manhattan School of Music, New England Conservatory, and Mannes College of Music.

The Guidonian Hand is Mark Broschinsky, Will Lang, Sebastian Vera, and James Rogers.

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